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    PRACTISING PHILOSOPHY OF MANAGEMENT

 

Selected texts of papers presented at the conference are pasted below

 

Brands and the Self

 

James Woudhuysen

        

Despite recent reversals for the brand, managers still view it as an indispensable and benign kind of alchemy. Meanwhile, critics hold it a swindle. However, the real problem with the brand is that it promises therapeutic solutions to issues that are in fact so big, they can only be resolved by broader social means. Philosophically, brands can neither overcome the isolation and alienation of the self, nor replace it with a sense of belonging.

 

Introduction

 

We are watching out for any sign the brand might be in trouble… I am feeling urgency. I wish I could agree with people who still believe there is no connection between how people feel about foreign policy and how people feel about the US.

 

Today the decline of America as a brand is so great that Keith Reinhard feels obliged to speak out about it. US multinationals still retain buoyant sales abroad. [1] However, ‘If we were looking at the US as a brand’, says Reinhard, ‘we would say this is the time to relaunch the brand’. [2]

 

Reinhard chairs DDB Worldwide, an advertising arm of Omnicom, the world's largest marketing services company. He also leads Business for Diplomatic Action, a group of advertising and PR firms out to rehabilitate America’s brand abroad. His words confirm that branding has become so influential among US managers, some hope it can lessen the worldwide damage caused by America’s war against Iraq.

 

Yet despite the continued domination of the branding mentality, an air of crisis now surrounds brands. For the US marketing guru Jack Trout, big brands spell ‘big trouble’. [3] For Which?, a decline in the historic reliability of German car brands deserves a cover story. [4] David Aaker, the world’s top professorial authority on brands, reports:

 

It seems that just about every company I visit is struggling with this stuff. Either they are not sure which brands to grow, or they have too many brands and can’t cut through the clutter, or they have brands that are losing relevance. [5]

 

Brands form one of the concepts at the core of management. Among the presuppositions of management theory, brands raise questions about the self among customers and employees, and about language and rationality. In applying philosophy to issues facing managers, brands say something both about performance measurement and about the status of ethics within management, PR and sponsorship. [6] 

 

This paper reviews the empirical facts about brands, and the positions of their supporters and critics. My source for many of the writers boosting brands is US management literature. As for critics, I concentrate on Naomi Klein’s bestseller No logo (2000), the most comprehensive attack on what the author herself calls the ‘brand bullies’. [7] Throughout, I give my own views, focusing on the relationship between brands and the self.

 

The domination of brands, and the crisis surrounding them

 

Though brands have met mixed fortunes since 2000, they appear more central to capitalism than ever before. Though the Coca-Cola’s company is in trouble, ‘it’s a testament to the brand’s strength that it has remained vigorous in a time of management fiasco’. [8] Similarly, in his bid for Marks & Spencer, the entrepreneur Philip Green talks of the need to rehabilitate the M&S brand with shoppers – and, significantly, with employees.

 

CEOs still see brands as the key to success. Giorgio Armani calculates that his name alone will vindicate his strategy of brand extension, or brand stretch, from clothing into chairs and sofas. Meanwhile, the acquisition of corporate brands has revived after several years of downturn.[9]

 

Every day, millions of brand managers give mouth-to-mouth resuscitation to brand dinosaurs. They also pursue line extensions – upmarket or downmarket variants of a product, tweaked by flavour, form, colour, ingredient or pack size (think Smirnoff Ice, with Diet Coke). Occasionally and more expensively, brand managers build wholly new brands, as Toyota did with Lexus.  Last, brand managers rationalise over-heavy sacks of brands by performing brand deletions. The two $40bn companies that pretty much invented branding – Cincinnati’s Procter & Gamble (P&G), and the Anglo-Dutch concern Unilever – often cull their brands. [10]

 

Firms take branding very seriously. However, only a minority really see themselves as brand wizards, which is why many outsource their branding effort to Omnicom, WPP, Interpublic, Grey Group and France’s Havas and Publicis. These six global groups, quoted on international stock exchanges, today take 60 per cent of the US advertising industry’s $146bn revenues. [11]

 

The domination of brands is far from over. Today the race is on not just for Western firms to build brands in China, but also for Chinese firms to build brands worldwide. [12] Indeed Harvard professor John Quelch now thanks Chinese brands, in advance, for providing the world with what he calls ‘an alternative to US brand hegemony’. [13]

 

The purpose of the brand and the conception of self it embodies

 

Much euphoria surrounds brands, but there is also a dark cloud over them. Even before their phenomenal ascent today, marketing people used to say that brands needed continual maintenance. But since the collapse of Enron in January 2002, maintenance has become more akin to life support. David Aaker gives some of the reasons:

 

…. we find brands that are very strong – with high awareness, high quality, high loyalty – but are losing market share. Sub-markets are emerging where they are just not relevant. [14]

 

Faced by the relentless possibility of corporate scandals and the loss of corporate reputation, the brand today gets more and more management caresses. The brand is in intensive care.

 

With all this attention lavished on it, we might well ask exactly what it is that the brand is supposed to do in the first place.  After all, the task of the brand today goes further than the clarification and differentiation of product benefits.

 

Over the decades, product brands such as Tide have tended to give way to corporate brands such as Sony. Yet corporate brands can’t be reduced to product qualities and attributes. They work

 

at a different level, often relating to the values and purposes of the organisation, what sorts of relationships it tries to build with its stakeholders, how it contributes to the wider community. [15]

 

Since 2000, branding experts have come to agree on the organisation’s chief purposes, and thus the purpose of the brand. By behaving ethically, the management of an organisation can get its corporate brand to win the trust of consumers. That way, the brand can help consumers avoid suffering the strains of everyday life, and in particular the modern tyranny of branded choice. [16]

 

At once, then, brands bear witness to what the sociologist Frank Furedi terms therapy culture. [17] The brand is at risk, in crisis, and has an immanent tendency to victimhood; but it must at the same time come to the aid of human beings who themselves have moved from Abram Maslow’s ‘perpetually needy animal’ to today’s stressed-out, diminished selves. [18]

 

Despite a baffling, irrational range of typefaces on it, a rebranded Barclaycard will be issued in late 2004 to act as an ‘enabler’ to consumers through life. [19] But this is about as upbeat as branding can be nowadays. For the rest, the philosophy of management is that brands are needed to edit, simplify, signpost, solve problems in or even run parts of people’s lives. [20]

 

Brands are, in this framework, umbilical. They act as a kind of helpline for the self, which is in turn conceived as overloaded, damaged and in need of professional support.

 

The application of the branding concept seems more and more universal. [21] The concept itself has become more capacious. However, as brands have become more about the self and thus more personal, so distaste for them has become more institutionalised.

 

Ethical critiques of brands have become a staple of mainstream discourse

 

While managers see the brand as a kind of indispensable and benign alchemy, critics hold it a gigantic swindle. For critics, brands overwhelm space, whether urban, electronic or educational. They commoditise culture, from magazines to live music. [22] The cost of brands is so great, it must be met by ending jobs, reducing jobs to McJobs, and moving factories from the First to the Third World.  [23] Brands mean products and services that are never genuine, natural or ethical. [24]

 

Despite the flagging fortunes of anti-capitalist protesters, their ethical critique of brands has had its effect. More and more philosophising about brands has come to centre on corporate social responsibility. [25] In just a few years, management has incorporated the Kleinian critique of brands, and the state has enforced that critique in its regulation. At Starbucks, every aspect of the supply chain is subjected to ethical investigation. [26] Today Wal-Mart is, among businessmen, America’s most admired company; but its brand looks quite likely to be tarnished in the courts, as a class action against its discrimination against female employees gets underway. Last, New Labour looks askance at British food and drinks suppliers, believing them to thrust their brands in front of schoolchildren in ways that can only encourage the moral crime of obesity.

 

As much as brands, therefore, anti-branding as a philosophical outlook has become a staple of mainstream discourse. Today, it is the Financial Times that tells brand managers ‘to endure a long and frustrating trip on Virgin railways next time some bored executive is tempted to expand into hairdressing or dentistry’.  [27]

 

Critique: branding and anti-branding as expressions of personal identity

 

With brands, neither management boosters of brands nor puritan critics may have it right. The problem with brands may not be that they’re big, nor even that they’re bad. Rather, they promise therapeutic solutions to problems that can in fact only be resolved by broader social means. They are not a fake, but they do prove a let-down.

 

Even before 11 September 2001, many already felt that they had lost a sense of community, church, or trade union. Many also thought that we had lost family and job security too. Since 9-11, then, brands have striven to help us overcome our sense of loss and replace it with expressions of identity and even personal meaning. [28]  To buy and display the right brand at home and work is to try to do right, be creative and gain self-esteem.

 

Today’s critics of brands have roots that go back to the 19th century of American pastoralism and trustbusting, and of European social democracy and state regulation. But they are not just a rebranding of old philosophies. Consumers active against consumerism, they resemble enthusiasts for brands. In revolt against commerce, they want to express identity and personal meaning. They, too, try to do right, be creative and gain self-esteem.

 

What boosters and critics of brands have in common is the premium they put on the emotional self. While critics believe that they and only they resist the Sin of Avarice with the Good of the Soul, brand boosters believe that they, too, have a role in this enterprise. In brand circles, indeed, ‘it has become a truism that brand marketing is in the business of communicating and selling emotional connections and benefits rather than just products and services’. [29]

 

The brand as social power

 

Boosters (1): measuring the performance of intangibles in dollars

 

Brand boosters take the power of brands as a presupposition. They do not inspect the current movement of capital in its totality or in its essence, but fasten upon just one of its features: brands. The power of capital is taken simply to be the power of the market. The market is then reduced to the purchasing decisions of the sovereign self, whether in the present or over the consumer’s whole life. Even the decisions of managers of corporate procurement are represented as an emotional, consumer affair. As a result of all these superficialities, the intangibles upon which buying decisions are supposed to depend are seen as vital to capitalism. Finally, the brands that connote these intangibles become all-powerful.

 

Years ago, Philip Kotler, the doyen of marketing in the USA, anticipated today’s brand critics. Because capital took flight to low-cost, Third World destinations, it had to build brand power: 

 

…[M]ost manufacturers eventually learn that the power lies with the companies that control the brand names. For example, brand-name clothing, electronics and computer companies can replace their Taiwanese manufacturing sources with cheaper sources in Malaysia and elsewhere. The Taiwanese producers can do little to prevent the loss of sales to less expensive suppliers – consumers are loyal to the brands, not to the producers….

Perhaps the most distinctive skill of professional marketers is their ability to create, maintain, protect, reinforce and enhance brands. A brand is a name, term, sign, symbol, design or combination of these, which is used to identify the goods or services of one seller or group of sellers and to differentiate them from those of competitors. [30]

 

The power of brands, boosters hold, lies in the intangibles that distinguish one firm’s offering from another. Kotler held that the most durable meanings of a brand are not its attributes (a Mercedes is well built), or even the ensuing benefits (I am safe in the event of an accident). Firms must instead follow the values that a brand suggests its owner holds (I own a Mercedes because I value high performance, safety and prestige), and its personality (consumers might visualise a Mercedes as a middle-aged executive). [31]

 

Brand boosters rate the values and character traits of a Mercedes higher than the quality of its steel or its crashworthiness. For them, a brand is a matter of perceptions and associations. As a result, ever since David Ogilvy, Bill Bernbach and Leo Burnett took American advertising by storm in the 1960s, the irrational, ‘right brain’ factors of intuition, flair and talent are very much part of the brand booster’s creative marketing mix.

 

Here heart must beat head. Yet as the management consultants McKinsey earnestly point out, ‘marketers rely too much on intuition… the next level requires a more rigorous, data-edged base to branding’. [32] So next, bizarrely, brand boosters proceed to take the feeling that things go better with Coke, that Coke is the real thing, and calculate its value… in dollars! As Business Week insists, ‘While the concept of brand is intangible, brand equity is far from it’.  [33]

 

In the professional practice of branding, then, feelings are monetised. The social power vested in a brand, through its appeal to consumers, is held directly responsible for its economic power.

 

As the Cold War drew to a close, efforts grew more feverish to measure the market performance of brands. The year that gave brand boosters their ace was 1988. Then, Philip Morris bought Kraft for $12.6bn, six times its paper value, while Kohlberg Kravis Roberts & Co paid a record $25.4bn for RJR Nabisco, a ‘house of brands’ (Oreo biscuits, Winston cigarettes, etc). For the first time, it seemed incontrovertible that brands ruled – if only because intangibles appeared to have a clear dollar value. [34]

 

Today, the crisis of the brand is such that even J Walter Thompson’s top man in north-east Asia can declare ‘There is no proof anywhere that branding works’. [35] Yet for a simple piece of graphics, the brand seems to have all the force, and all the irrationality, of myth – and not only with marketing professionals or stock market slickers. Moreover it is not just the individualistic American self of folklore that is infatuated with brands. [36] The European self, which some might feel more given to collectivity and reciprocity, began to be interested in brands well before the American one.

 

Boosters (2): America must take a leaf from Europe’s book

 

Today, only 29 of the world’s top 100 brands are European. [37] But as early as 1997, management consultant Erich Joachimsthaler and David Aaker suggested that, in brands, US firms ‘would do well to study their counterparts in Europe'.  Their reason: America had entered an Internet world. Traditional mass media were a thing of the past. Thus European firms, which, unlike their opposite numbers in the USA, had never relied on cheap continent-wide TV commercials, would ‘point the way for others to succeed in the new media age'. [38]

 

Europe’s special expertise in branding escapes the anti-capitalists. [39] Yet the historic origins of branded corporations begin not with Mid-Western farmers in the 19th century, but with fashionable Paris in the 18th. The world’s luxury brands today reveal the historic contribution of Europe in general, and pre- and post-revolutionary France in particular, to the establishment of brands. Cartier, Dior, Johnny Walker, Prada and others easily elbow aside American Express and Kenzo fashion. [40]

 

That American brand boosters should uphold Europe as an example of what intangibles can do for the prosaic world of products is entirely proper. For from its historic luxury brands to all its big brands today, Europe shows that brands are about ‘class’. European luxury brands were always a mark of Europe’s traditions of quality craftsmanship. [41] But luxury brands were also a more or less aristocratic emblem of the rich man’s or woman’s wealth, status and aesthetic judgement on different aspects of ‘culture’.

 

How rational was all this? The branded products of Europe’s owner-managers once inspired the living-rooms of the slave-owning Confederacy. [42] Today LVMH’s Patrick Arnault inspires American brand boosters. But Europe’s historic adroitness in luxury brands, and America’s continuing fondness for the European aristocracy’s branded good taste, reveals branding as a sign of commercial and cultural decadence, not of social progress. In the 20th century, at least, European branding has not been about rugged entrepreneurs, but those distinctly corporatist and statist traditions of atrophy that Americans usually abhor. [43] 

 

The strong association Europe has with brands isn’t a badge of vibrancy. There are exceptions; but, on the whole, EU brands suggest that, whatever their trappings of modernity, brands represent a struggle to preserve the past more than they do an ability to point a way forward to the future.

 

Space only allows me to touch, occasionally, in this paper, on the impact that the conservative nature of the branding endeavour has on innovation. It is enough to note that the communitarian, preserving impulse behind today’s brands also gives, today, a special role to ‘heritage’ brands. As a result, America’s individualistic Harley Davidson brand has plenty in common with Europe’s most mutual financial services companies – Britain’s Cooperative Bank (‘Customer led, Ethically guided’) included.

 

Critics of brands condescend to the self

 

One thing Naomi Klein agrees on with brand boosters is that brands make capital go round. The brand is ‘the core meaning of the modern corporation’. [44] Brands dominate our lives as workers, citizens and consumers. As workers we are in a ‘branding economy’ in which the strongest brands are the ones generating the worst jobs. It is branding that forces firms to sever their traditional ties to steady job creation, seek out youth culture for more aggressive branding than ever before, and use ‘real live youth’ to pioneer ‘a new kind of disposable workforce'. [45] It is brands, defended by lawyers, which restrict our choice of writing, music, movies and Internet content. It is brands that limit civil liberties and call free speech and democratic society into question. [46] Finally, Klein argued, brands invade our lives as consumers. [47]

 

Altogether, Klein agreed with the brand boosters that brands accumulate vast power. Her difference with them was that she felt that workers, citizens and consumers were victims of brands. It is because Klein took the social weight of brands as a presupposition that she favoured ‘consumer jujitsu’ against them. She accepted the boosters’ chosen terrain for debate: the polarity between brands and consumers. She thus approved of ‘culture jamming’: the practice of parodying advertisements and hijacking billboards in order to alter their messages drastically – a 'semiotic Robin Hoodism.' [48] To go culture jamming was to use the weighty appearance of a brand opponent against it. It was to use the tools of graphic and Web design and of desktop publishing to make brands the object of social satire among consumers.

 

Because Klein took life as ‘the branded life’, [49] she shared with brand boosters a rather disagreeable trait: condescension – an attitude that takes the self as the dupe of brandsmiths. Of course, as Thomas Frank notes, the modern brand booster believes that a brand is not a static, top-down thing, but a popularly-constructed, democratic, dynamic relationship. [50] Corporate brand managers and marketing services brand consultants – ‘postmodern cultural radicalism come home to Madison Avenue’, as Frank puts it – see themselves as interpreters of and advocates for the popular will. [51] But with her own training in postmodernism and communication theory, Klein saw culture jamming as exactly the dialogue upheld by the modern brand booster. Culture jamming, she said, ‘baldly rejects the idea that marketing – because it buys its way into our public spaces – must be passively accepted as a one-way information flow’. [52]

 

Like Frank, Klein recognised that brand managers rush to make their brands receptive to and constructed by their audiences. But for her this did not denote brand managers forced into the resuscitation business, but the power of brand puppet-masters to treat the self as a marionette. ‘Genuine political empowerment’, she rightly announced, ‘cannot be reconciled with a belief system that regards the public as a bunch of ad-fed cattle’. [53] But what were Klein’s two principal tactics? They were ‘exposing the riches of the branded world to the tucked-away sites of production’, and ‘bringing back the squalor of production to the doorstep of the blinkered consumer’. [54]

 

Everyone is condescending from time to time. But the anti-capitalist’s condescension is ingrained, because the task of culture jammers is not to leave dissonant graffiti on the slick face of advertising, but ‘to mesh with their targets, borrowing visual legitimacy from advertising itself'. [55] Just as brand boosters cry out with glee in the hope that brand intangibles enslave the masses, so Klein believed that advertising had conquered the myopic self.

 

For the booster, brands lead people’s lives, and that’s good. For the anti-capitalist, brands lead people’s lives, and that’s bad. ‘There is no doubt’, Klein concluded,

 

that anticorporate activism walks a precarious line between self-satisfied consumer rights and engaged political action. Campaigners... have to be careful that their campaigns don't degenerate into glorified ethical shopping guides... [56]

 

But as she caricatured the attitudes of the ignorant masses toward enlightened activists:

 

Talk about government, talk about values, talk about rights – that's all well and good, but talk about shopping and you really get our attention. [57]

 

Both boosters and critics attribute, to the brand, a gigantic social power. They are obsessed with brands; they point out that stock markets and consumers are pretty obsessed, too. They are wrong, but they are not all wrong.

 

Let’s now seek the origins of today’s myth around brands.

 

Risk – the origin of brands as a managerial myth

 

as history has shown time and time again, a bevy of in-house scientists gives no guarantee that their output will protect their employer from technological change. Xerox, AT&T and IBM spent billions on research but … ended up being caught out by new technologies. It is far better if big firms' managers keep their binoculars well trained on the outside world and their minds open to any new ideas they spot there. They can then buy them and do what they do best: find innovative ways to bring them to market. [58]

 

It is the manager’s concern to avoid risks that accounts for his obsession with brands. It is up to the outside world to innovate; the responsibility of the managerial self is no longer progress, if it ever was, but rather marketing.

 

For firms, brands represent the more or less safe haven of the exhausted, not the accumulating power of the confident. Brands reflect trends toward incipient recession: they are an easy way to meet short-term demands on profitability. Brand costs are modest compared with the costs of genuine innovation. Yet though brands are a less risky course than innovation, brand management is seen as more and more iffy.

 

Brands are parachutes, but, like parachutes, are fraught with risk. In 1997, the ascent of Nike tempted many CEOs to follow in the shoe company’s footsteps. But before investing in the construction of a ‘power brand’, McKinsey reps from Dallas, London and New York suggested, CEOs had to pause, had to walk before they ran. Their investment ‘really must be prudent’. [59] Consumers, McKinsey noted, were cautious when hitherto focused brands moved in to unrelated product areas; so if a company planned to take this route, it should only do so with ‘extraordinary energy, commitment, and effort’. [60]

 

Firms are obsessed with brands because they tend to panic about doing much else.  The prominence of brands reflects not corporate economic power or the lure of market opportunities, as Klein holds, but a culture of fear.  Moreover brands themselves are repositories of fear. They amount to the opposite of rationality in management thinking.

 

Three examples – line extensions, ‘private label’ goods and sub-brands – bring out the irrational aversion to risk that today inspires management’s lurch into brands.

 

Line extensions as means of avoiding risk – and as risks themselves

 

The date 2 April 1993 is known in marketing circles as ‘Marlboro Friday’ – the day it became clear that the premium Philip Morris charged for its product could no longer face down cigarette discounters.  But if Marlboro Friday falsely signalled the death of the brand, John Quelch, then Dean of the London Business School, together with US marketing expert David Kenny, soon warned against tweaking it. Rightly attacking the ‘lure’ of relatively inexpensive ($5m-a-pop) extensions to a branded product line as a product of management fears, they warned, however, that too many line extensions would endanger business. [61]

 

Managers, Q&K argued, see line extensions as a ‘low-cost, low-risk’ way to meet the needs of various customer segments. So today’s Smirnoff Ice extension of the Smirnoff brand is a low-risk repackaging of a standard product designed merely to attack the youth market. It is a strenuous, defensive effort to bolster profitability.

 

For Q&K, line extensions were about quick rewards with minimal risk. Nearly all the 20 brands that led US consumer awareness in 1994 had been dominant for no fewer than 20 years: beating them with a US launch of a wholly new brand would cost all of $30m. Yet line extensions could be sold to stock markets as real innovations, despite relying on little investment:

 

…senior managers often set objectives for the percentages of future sales to come from products recently introduced. At the same time, under pressure from Wall Street for quarterly earnings increases, they do not invest enough in the long-term research and development needed to create genuinely new products. Such actions necessarily encourage line extensions.

 

But without corresponding brand deletions, Q&K continued, extensions risked leaving a product line with ‘weaker logic’. Line extensions in categories such as groceries and toiletries rarely expanded the total demand for those categories – people wouldn’t eat, drink or wash their hair more.

 

For Q&K the era of risky, unrestrained line extensions had to end. Instead, cost-accounting systems would help have to help manufacturers work with ever-more-powerful retailers together in category management. In making this point, Q&K highlighted another risk forcing manufacturers to take refuge in more refined forms of brand management: that of being outplayed by retailers.

 

Manufacturers should not endanger brands via ‘private label’ work for retailers

 

As early as 1987, retailer pressure made P&G reorganise its 11 different US product sales forces into account teams designed to obey specific supermarket and department store chains. US supermarkets and drugstores had anyway brought in IT-based barcode scanners, and had consolidated. In 1989, when P&G introduced the retailer-friendly post of category manager into its offices, just 100 chains handled 80 per cent of its sales. [62] 

 

By the mid 1990s, mass retailers were in a position to revive a risk to manufacturer brands not seen since the recession of 1981-2 – that of their own, ‘private label’ brands. But the risk manufacturers faced was new. First, private-label brands might beat them on the shelves: quality had been improved, and new categories had been entered (colas, clothes). Second, more than half America’s makers of branded consumer packaged goods made retailer private-label goods as well. They ran the risk of cutting directly into their own sales – of cannibalisation. It was these risks that management experts pointed do when telling manufacturing management to stay obsessed with brands.

 

McKinsey’s Madrid office argued that, though making goods for private label retailers might give manufacturers of leading brands immediate additional production volumes, to do so was to run real risks ‘on a longer view’. [63] And soon enough, Quelch and Kenny concurred. For 10 years, a constant 60 per cent of US consumers had preferred ‘the comfort, security and value’ of a national manufacturer brand over a retailer private-label brand. ‘In the time-pressured dual income households of the 1990s’, Q&K opined, ‘brands are needed more than ever’. Manufacturers should stick to their brands, because, like consumers, they should realise that other options were risky. [64]

 

The significance of the debate on private label highlights an important issue in the philosophy of management. The world is seen as a risky universe. In this scenario, the scope for the self to express freewill is strictly limited. In turn, that fact is confirmed in the infantile language of branding.

 

‘Parent and child’ sub-brands minimise the risks of moving down- and up-market

 

The brand is not only born out of risk. Brand management has become risk management. In 1997, Aaker argued that moving a brand down-market or up-market was wisest with sub-brands – provided these were managed seriously, in a way that minimised risk. [65]

 

Jiggling brands by price, Aaker made clear, was most tempting when markets turn hostile. But the battlefield was littered with dead and wounded brands. For a brand to move down-market ran the risk of losing its stature. But when Toyota moved up-market with Lexus, ‘changing its image took more than a decade, involved impressive product improvements, and cost billions of dollars in advertising'. The safest bet for an upscale sub-brand, Aaker concluded, was

 

a driver-descriptor strategy... Special edition, premium, professional, gold or platinum descriptors... can be very effective.... Wineries use private reserve, library reserve, or limited edition. Airlines have connoisseur class.

 

Aaker’s italics summed up branding as a search for the familiar. Indeed, he posited the family as a model for managing sub-brands. Earlier, under a section titled CREATING A DIFFERENT PERSONALITY: THE PARENT-CHILD RELATIONSHIP, he had observed:

 

Because family relationships are so familiar to consumers, they offer a clear and rich opportunity for creating distinct but related sub-brand personalities. The sub-brand could be a child (either son or daughter) of the original brand (the father or mother), one who cannot yet afford or appreciate the better version. Or it could be the grandparent of the original, one who appreciates good value more than premium quality. [66]

 

Aaker’s highly emotional choice of language for brands and sub-brands was not accidental. It suggests that he would acknowledge the fact that language functions not just as parole, but also as langue, creating a pool of possible identities, feelings and meanings on which its users draw.   Indeed, it is exactly because the broader language of brands is all about langue that every brand manager believes omnipotence to be within his grasp.

 


 

The political economy of brands

 

The five dimensions of branding: B2C, B2E, B2B, B2S, B2G

 

While brand boosters use the family to model brand hierarchies, brand critics single out children as the most obvious consumer victims of brands. But this strategy has a significant precedent. In fact, today’s critics trail more than 40 years behind the muckraking American journalist Vance Packard. Packard devoted a whole chapter of his 1957 bestseller The Hidden Persuaders to what he called the psycho-seduction of children. Corporations, Packard argued, were after children’s minds, wanting to turn kids into ‘loyal followers of a brand’. [67]

 

The longstanding focus that critics of brands have had on children is interesting for two reasons. First, children are vulnerable symbols of the future, and thus a great stick with which to beat corporations. Second, the business-to-consumer (B2C) focus on children, who are necessarily outside the business-to-employee (B2E) world of work, suggests that personal consumption is the Alpha and Omega not only of brand boosters, but also of brand critics. From the mid-century onward, radical social and economic theorists such as C Wright Mills, Paul Baran, Paul Sweezy and Herbert Marcuse, building on the work of Thorstein Veblen, viewed consumption ‘as a seduction, a form of captivity’. [68] The brand critic’s feeling that brands = child abuse highlights the perennial focus, among opponents of capitalism, on the B2C dimension of brands.

 

Love it or loathe it, then, the rise of the brand is in the first place a symbol of the Western self’s growing belief that it is a consumer. But to consume, one must work. So in the second place, the brand is the publicly recognised organisation that you are proud or ashamed to work for. [69]

 

What brand boosters at least recognise, and brand critics tend to forget, is that brands have dimensions to them that go beyond B2C. Will Hutton is clear about this. His point, as a Labour booster of brands, is that they are the opposite of commodities, and that they belong to everyone. He writes:

 

People dislike the sense that market capitalism is commoditising everything, your holiday, your marriage, your death. And actually what a brand says is, ‘Hey, this isn’t a commodity. There’s an idea in here which is actually independent of the price you’re paying.

I PASSIONATELY BELIEVE in stakeholder capitalism. [70]

 

The brand is an attempt to transcend market forces and so reach everyone – and in brands, as elsewhere, everyone is a ‘stakeholder’. So ‘stakeholders’ in a business don’t just embrace consumers and workers. They also include suppliers and those customers that are not consumers – distributors, for example. In the third, business-to-business (B2B) dimension of brands, therefore, the brand is, to suppliers, a symbol of a reliable business customer and, to corporate purchasing departments, of risk-free product and service supplies.

 

In the fourth, business-to-shareholder (B2S) dimension, the brand, because it represents a more or less reliable claim on future revenues, can inflate market capitalisations.

 

Finally, as Microsoft and Equitable Life know to their cost, a brand, whether it likes it or not, has a relation with ethics, community, civil society and with Government. There is a B2G dimension to brands.

 

Across each and all of these five dimensions, it is clear that all the special magic that causes boosters to make an irrational fetish out of brands is by no means a natural characteristic of them. The boosters’ beloved intangibles have nothing to do with the red in Coca-Cola and in Virgin, or the smile on the face of a McDonald’s crewmember. The apparent power of a brand’s intangibles to generate brand equity, in dollars, on the stock market, flows not from the occult characteristics of its logo or its shop staff or even its three-day rock concert. The brand has become a social power because it is, as the boosters say but do not understand, indeed a relationship. Indeed, there are five dimensions to that relationship.

 

For ‘the consumer’, the worker, the businessman, shareholder and regulator, each brand must nowadays be zesty, colourful and increasingly experiential. But each brand has this power because, for these five constituencies, the brand is a materialisation of today’s social relations of production. The Russian II Rubin wrote:

 

Since the possession of things is a condition for the establishment of direct production relations among people, it seems that the thing itself possesses the ability, the virtue, to establish production relations. If the given thing gives its owner the possibility to enter relations of exchange with any other commodity owner, then the thing possesses the special virtue of exchangeability, it has “value”. If the given thing connects two commodity owners, one of whom is a capitalist and the other a wage labourer, then the thing is not only a “value”, it is “capital” as well. If the capitalist enters into a production relation with a landlord, then the value, the money, which he gives to the landlord and through the transfer of which he enters the production bond, represents “rent”. The money paid by the industrial capitalist to the money capitalist for the use of capital borrowed from the latter, is called “interest”. [71]

 

Today, if the consumer owner of a credit card, the worker owner of his ability to work, or the supplying or buyer firm are willing to pay extra or make sacrifices for a brand, then (1) the value, the money, paid or foregone is named ‘brand value’ (2) shareholders then interpret it as a claim on future revenues, a net present value or ‘brand equity’ (3) brands in sectors as varied as utilities, petrol, mobile phone networks and fatty foods have to submit to a government cut on these future revenues. In this case the value paid is re-branded as nothing to do with brand equity, but rather as ‘Green taxes’, taxes on ‘windfall profits’, ‘selling off the radio spectrum’, ‘obesity levies’ and so on.

 

Rubin ends, and the italics are his:

 

Every type of production relation among people gives a specific “social virtue”, “social form”, to the things by means of which determined people enter into direct production relations. [72]

 

Branded products and services cannot just be sniggered at as logos. Brands detain more people than ever before because, as material displays, as billboards and buses and banner ads on the Web, they very strongly encapsulate today’s real and very specific social relations. Let’s look at the five dimensions of those relations in more depth.

 


 

How brands work across the five dimensions

Consumers; or, rather, workers owning pay packets

 

‘The consumer’ has no independent existence. Since the millennium, rising US consumer expenditure has in fact coincided with collapsing capital expenditure. But when the German pays a premium for BMW, and the Briton an even bigger premium, it is not because different amounts of labour effort went into each car. People pay extra for a brand because they find a genuine extra utility, if an intangible one, in purchasing and owning it. This is not exploitation, but follows from the divergence between the value involved in making a product and the price paid in the marketplace for it – a divergence inherent within capitalism. It does however open up the more notorious premium-chargers to attack from consumer organisations, anti-capitalists and government regulators.

 

B2E: workers who are ‘passionate’ about their company’s brand

 

In the B2E context, there is only one thing to do about brands – defend them and be passionate about them, especially if you are in the marketing department. Since 1999, management commentators have deemed it impossible to get employee loyalty, but possible to get employee passion for the time that workers choose to stay with the company. [73] If the brand can inspire longer or more committed work for the same pay, that is a valuable sacrifice as far as the corporation is concerned.

 

Klein rightly notes the prevalence of unpaid internships and worthless profit shares and share options. [74] Workers may also work harder for less if their brand ‘pays’ them back in kind, via more playful workplace environments, etc. In Britain much of the long hours worked are worked voluntarily and for free. All these things represent pay foregone.

 

B2B: ‘Our clients include…’ / ‘Nobody ever got fired for buying IBM’

 

Every supplier – marketing services companies certainly not excluded! – wants to boast about which blue-chip brands it does business with. Every supplier will therefore cut prices and make other sacrifices if, in his portfolio of branded clients, such habits build his brand.

 

On the other hand, it has for some years been fashionable among corporate purchasing departments to avoid choosing the cheapest supplier and instead pay a premium (‘best value’, in the case of government purchasing departments). That this speaks of a new consciousness of the risk that surrounds management of the supply chain was recognised as early as 1995. Then, writing of the high-tech capital goods bought by companies nowadays, Chuck Pettis noted:

 

Reliability means no hassles in how the product operates (no breakdowns), saving time and money’ eliminating maintenance frustration, creating happy users… users feel they’ve made the right decision and don’t feel open to criticism. That means that users don’t associate stress with the product and feel more comfortable about their job or task, enabling them to feel like they’re doing a better job. The values that these might bring to the individual [purchaser/user] are self-actualisation, self-esteem, satisfaction in a job well done, and job security. [75]

 

It was Maslow who distinguished between the higher needs of man, for self-actualisation and self-esteem, and the lower, ‘safety needs’ of man – whose ‘whole organism’ he described as a ‘safety-seeking mechanism’. Unlike his vulgarisers, however, Maslow was anxious to observe that the hierarchy he posited was ‘not nearly as rigid as we may have implied’. [76] He was right. In selling GE power equipment or Nokia phones to business buyers, Pettis makes clear, the B2B brand manager must appeal both to the buyer’s vanity, and to his fear of losing his job. Safety and security are held to matter as much to the corporate procurement manager as they do to the defenceless consumer.

 

Shareholders: brand equity as fictitious capital

 

The equity attributed to particular brands is only one aspect of a general, late 20th-century divergence between corporate book values and corporate market capitalisations. When a firm that is the darling of Wall Street declares massive losses, its share price begins to return to something realistic. The enormous overhang in market capitalisation turns out to be fictitious capital. It has nothing to do with the firm’s opaque brand name, and everything to do with investor illusions.

 

Government regulators

 

In management circles there is widespread anxiety about litigation and the risk of losing the public reputation of a brand. The Railtrack and Network Rail brands, for example, show how what begins as consumer distaste for a brand ends in state intervention around it. More and more companies therefore boast only just ‘investor relations’ departments and sections of their websites, but also specialists in government relations. At BT, much of senior management’s time is spent in fraught attempts to project and refine the BT brand with Ofcom, the telecommunications and media regulator.

 

Conclusion: brands press the self into the organisation – and into the state

 

A century ago, the rise of the branded multinational prompted, in the realm of consumption, what Jackson Lears has called antimodernism – a therapeutic view of the self. Then, the multinational and the brand led to a mass, middle-class resort to bed with nervous prostration, which was the disease of the age. [77]

 

Critics of the brand miss this historical episode. They also miss its revival – in a different form, to be sure – today. But the biggest error of brand critics is neglect of what the B2E dimension of branding has done to the self.

 

Brands, I have argued, are now not just about ethics and community, but also about personal identity. In a society defined by identity politics, they form a quiver of pointers as to who one is and who other people are. They are spiritual; they are, as the marketing consultants Yankelovitch observed years ago, a religion. Nowhere is this clearer outside the supermarket – in the world of work.

 

North London designers Wolff Olins are some of the world's leading practitioners of branding. They have done corporate identities for Akzo, BT, Bovis, Orange, Pilkington and Prudential. But as early as 1978, Wally Olins, one of the company’s chiefs, did something just as important as all these practical accomplishments. In a speech, he stressed that corporate identity was not just about staff uniforms, but also about ‘the way in which people who work for the company think about themselves in relation to it’. [78] Later on, he pronounced the visual side of his profession as secondary to giving a company's employees 'a sense of belonging'. [79]

 

Today, exhortation in the world of brands is chiefly to do with the absolutist, but rarely challenged demand that employees change their behaviour. The best way to control or at least influence what other people say about your organisation is, we are told, ‘to earn their good opinions: through your behaviour’: indeed getting employees to embody the brand’s values ‘becomes an imperative’. [80]  Brands, according to the ‘Medinge manifesto’ of international brand boosters who gather annually just south of Stockholm, allow employees to ‘identify with their company through its brand’. [81] For McGraw Hill, ‘branding strategy was critical in uniting formerly divided business-unit and product-oriented management factions behind new shared goals’. [82] For Dave Ulrich, who combines roles as human resources guru, Michigan professor and president of the Montreal Mission for the Church of Jesus Christ of the Latter Day Saints, ‘Shared Mind-set and Coherent Brand Identity’ go together. [83]

 

The blind spot of brand critics is precisely management’s increasingly desperate attempts to elicit what Olins calls 'a sense of belonging' on the part of employees. Ignoring all this, Klein sees the rise of brand power in trade union terms: as a result of denationalisation. But the trends she fastens on – the sharper grip of market forces, leading to corporate sponsorship of otherwise impoverished public space – form only part of the story of brands.

 

The rise of market forces, like that of Al Qaeda, has made people feel more impotent. As a result, they feel they need comfort and reassurance more than ever. Unlike politics nowadays, brands appear to provide some of those things. So, too, does work. For many employees today, work is a vital site of sociability and one of the more durable fixtures in their lives. Many therefore want to work for brands that are ethical. Many want to see the right kind of brand values at work.

 

Altogether, modern management has, with brands, a green light to press all aspects of the personal self into a professional mould. It is not always successful in this. But more and more human resources departments today team up with internal communications departments to engage in branded schemes of change management. Even more insidiously, HR departments want corporate brand values and corporate etiquette followed when employees are on the move, and when – as more and more do – they work from home. They want to put their own organisation’s brand on the very personal domain of what government handwringers call work-life balance.

 

The upshot of all these trends is a tendency toward groupthink and the dissolving of the self in the organisation.  And in Britain, at least, this corporate tendency gets much of its inspiration from the state. Among private sector posts in HR, after all, many of the new recruits are people who have experience of leading branded schemes of change management in the public sector.

 

It was New Labour that popularised rebranding – not just the rebranding of Old Labour, but of Britain itself. [84] It is New Labour that has done so much to get members of its organisation on-message and on the same page, and members of the citizenry inside its Big Tent. From Cool Britannia in cultural industries through Robin Cook’s ethical foreign policy and Lord Anthony Giddens’ Third Way to Tony Blair’s ‘eye-catching’ initiatives, New Labour has set the tone for private sector groupthink.

 

The government is by far the largest client for advertising in the UK. Government bodies, quangos and government initiatives are constantly being rebranded. On the other side, Ed Mayo, previously chief executive of the National Consumers’ Council, now heads a government committee to get people to change their behaviour toward Greener lifestyles. [85] Of course, in today’s official anti-branding climate, all this can be dismissed as just ‘spin’. Nevertheless, the need to refresh the faltering New Labour brand still weighs heavily at 10 and 11 Downing Street. It appears, too, that much of the election manifesto with which Labour will seek a third term of office will revolve around attacks on branded manufacturers of fast-moving consumer goods – particularly those which aim their products at children.

 

The fusion of brand boosters and brand critics that now afflicts both the private sector and the state confirms that no amount of branding, or brand restraint, can deliver on the promises made by either camp. The 21st century’s problems of personal identity and meaning can be solved neither by a new logo, nor new laws against excess consumption and ‘visual pollution’.

 

Philosophically, it’s a mistake to believe that brands can successfully overcome the isolation and alienation of the modern self and replace it with a sense of belonging. It’s also a mistake to believe that ethical curbs on brands can bring a better world. It ought to be obvious that the fundamental difficulties of life and philosophy are in fact so big, they can only be mastered by broader social means. Branding and anti-branding have real roots in society today. But they are part of the problems of the world, not part of its remedies.